* 19951
Los Angeles
James Brown is an American-born painter now active in Paris and Oaxaca (Mexico). He was most well known in the 1980s for his rough painterly semi-figurative paintings, bearing affinities to Jean-Michel Basquiat and East Village painting of the time, but with influences from primitive art and classical Western modernism.
Life and work
Born in Los Angeles, California. He received at BFA from Immaculate Heart College, Hollywood. He then spent years in Paris, and attended the Ecole Superieure des Beaux Arts, Paris, France. He rebelled against the classical training there, which he considered irrelevant, but stayed as he wanted to stay in Paris. Tours of Europe seeing renaissance and especially medieval painting of Italy influenced his work. During the 1980s his paintings, mixing the modernist tradition of painterly application and adherence to the picture surface with clear influences from tribal art. In the early 1980s he began exhibiting in New York, and in this decade this work became a hit in the galleries and art press, sharing a look with the Bad Painting and young neo-expressionism of the East Village painters of the time. On the 12th of September 1987 he married Alexandra Condon, who was studying History of Art at NYU at the time. They had know each other for little more than ten years. Despite some time on the East and West coast of New York, he continued to live in Paris. With the fading of the East-Village art scene he had increasingly shown in European galleries, where his work was now seen in the context of a post-war European modernism in the tradition of Jean Dubuffet. James and Alexandra had their first child, Degenhart Maria Grey Brown, on the 24th of September 1989 in New York. In 1991 their second boy, Cosmas And Damian Maria Todosantos Brown, was born on the 6th of June in Paris. On the 16th of April 1993, their daughter was born, Dagmar Maria Jane Brown, in New York. In 1995 he moved out to the valley of Oaxaca (Mexico) with his family, where they lived in a Hacienda for nine years. During this time James Brown continued exhibiting in Europe, the United States and in Mexico. He and his wife collaborated with various artists, making rugs in a village in the mountains of Oaxaca. The rugs were made in the traditional Mexican fashion, weaved by hand on large wooden frames. Jamaes and Alexandra then decided to start making books with artists, so they started Cape Diem Press. Like the rugs, these books are printed in Oaxaca using old-fashioned and traditional methods. The books are printed in limited editions, and Carpe Diem Press continues to collaborate with artists. In 2004 they moved to the city of Mérida, in the Yucatán. Since then James Brown has been spending much time in Europe, exhibiting his work in France, Germany, Italy and Holland. He has been working mostly in Paris.
His work has taken on several styles over the years, but maintains a hand-made look combining concerns of the modernist tradition with motifs and spiritual interests from tribal art. Much of his work is a non-realistic but contains depictions or signs of recognizable faces or objects. More recently he has done more in an abstract mode. However, the line between representation and abstraction is often a difficult one in his work, such as his more recent “Firmament Series” -- abstract canvas’ that can also be read as referring to constellations or stars, or groups of rocks. Besides paintings Brown has also produced sculptures and series of prints at various points in his career, and in the 1990s started to heavily utilize collage. Drawing and other unique works on paper have been important to his artistic development and production. In an Artforum review of a 25 year retrospective, Martha Schwendener noted "The works range from abstract gouaches to biomorphic and figurative watercolors to collages that update the synthetic Cubist experiments of Picasso and Braque."
Exhibitions
James Brown has shown in many galleries from the early 1980s to the present. He has shown across the United States and Europe, as well as other places in the world, and since 1999 increasingly in Mexico. Several of his prints and painteings included in the collection of the Museum of Modern Art in New York. Selected shows include:
2000
James Brown; Internal Order, Gallery Paule Anglim, San Francisco, CA
Dorthy Blau Gallery, Bay Harbor Islands, FL
James Brown, Paintings from Mexico, Galleria Bonomo, Bari, Italy
James Brown, Oeuvres sur papier 1981-1998, La Maison des Arts, Malakoff, France
1999
James Brown; Internal Order, Galerie LeLong, Paris, France
James Brown, Oeuvres sur papier 1981-1998, Musee d'Art Moderne de Ceret, France
1998
James Brown, Peintures Recentes, Galerie Alice Pauli, Lausanne, Switzerland
James Brown, Scognamiglio & Teano, Naples, Italy
1997
James Brown: the Story of the Stone, Lipanjepuntin Arte Contemporanea, Trieste, Italy
1996
James Brown, Graphic Works, Visconti Fine Art Kolizej & Centre Culturel, Ljubljana, Slovenia
James Brown, Opere Recenti, Studio d'arte Rafaelli, Trento, Italy
1995
James Brown; Paintings, Collages, Gouaches 1995 Galleria Bonomo, Bari, Italy
My Other House, Andrea Palladio (scamazzi etchings 1786) James Brown Works on Paper 1995, Brian Kish Office for Architecture and Art, New York, NY
Galleria Civica Di Arte Contemporanea, Trento, Italy
James Brown: Recent Work, Leo Castelli Gallery, New York, NY
1994
Meltem Gallery, Casablanca, Morocco
Akira Ikeda Gallery, Nagoya, Japan
James Brown; Bilder und Collagen, Galerie Bernd Kluesser, Munich, Germany
1993
James Brown; Lithographies, Galerie Frank Bordas, Paris, France
James Brown; Originals and Editions, Kulturring Sundern, Sundern, Germany
1992
James Brown; White Shrine, Kunststation St. Peter, Cologne, Germany
James Brown; Neue Bilder, Galerie Thaddeus Ropac, Salzburg, Austria
James Brown; peintures-sculptures-monotypes-lithographies, Espace des Arts, Chalon-sur-Saone, France
1991
Galerie Anders Tornberg, Lund, Sweden
James Brown; Black and Blue 1991, Galerie Isy Brachot, Brussels, Belgium
Leo Castelli Gallery, New York, NY
James Brown: Salt Cardinal and Stabat Master Paintings and Monotypes, Galerie Alice Pauli, Lausanne, Switzerland
1990
The Stations, Galleria Lucio Amelio, Naples, Italy
James Brown; Salt, Peintures Recentes, Galerie Lelong, Paris, France
Stabat Mater, Galerie Heland Wetterling, Stockholm, Sweden
1989
James Brown: Obra 1988-1989, Galerie de Arte Soledad Lorenzo, Madrid, Spain
Leo Castelli Gallery, New York, NY 1989
James Brown: Stabat Mater, Galerie Lelong, Paris, France
Tony Shafrazi Gallery, New York, NY (In conjuntion with the publication of "Faith, The Religious in the Art of James Brown", by Friedham Mennekes)
1988
James Brown: Sorrowful Mysteries, Kunstsation St. Peter, Cologne, Germany
James Brown: Oeuvres sur Papier,Galerie Isy Brachot, Brussels, Belgium
James Brown; Stella Maris, Galerie Heland Wetterland, Stockholm, Sweden
1987
Gallery Thaddeus Ropac, Salzburg, Austria
James Brown: Paintings, Sculpture and Drawing, Galerie Maeght-Lelong, Paris, France
James Brown, Painting, Ceramic Reliefs, Sculpture, Drawings and Prints, Anders Tornberg Gallery, Lund, Sweden
1986
Leo Castelli Gallery
James Brown: Terracotta with Glaze 1985, Galerie Denise Rene Hans Mayer, Dusseldorf, Germany
James Brown: New Paintings, Akira Ikeda Gallery, Tokyo, Japan
1985
Larry Gagosian Gallery, Los Angeles, CA
James Brown: Paintings, Drawings, Sculpture, Akira Ikeda Gallery, Nagoya, Japan
James Brown: Neue Bilder, Galerie Bruno Bischofberger, Zurich, Switzerland
1984
Investigations, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Currents, Institute of Contemporary Art, Boston, MA
1983
Nature Morte Gallery, New York, NY
Tony Shafrazi Gallery, New York, NY
Terrae Motus James Brown, Galleria Lucio Amelio, Naples, Italy
1978
Galerie Christiane et Eric Germain, Paris, France
Series en Projection, Gemeentenmuseum, Arnheim, Holland
